Utopian Society in Shakespeares The Tempest :: essays research papers

The study of Shakespeare’s The Tempest raises many questions as to its interpretation. Many believe that this play shows Shakespeare’s views on the colonization of the new world whereas others believe that this is a play about the ever elusive â€Å"Utopian Society†. I believe that this is a play about the European views of society and savagery at that time. I also believe that, if this is true, the play doesn’t portray a â€Å"conventional† view of native peoples. Shakespeare shows this by having Prospero, the rightful duke of Milan and Usurping ruler of the island, call Caliban, â€Å"A devil, a born devil on whose nature nurture can never stick† but then having Miranda, Prospero’s daughter, say â€Å"I pitied thee, took pains to make thee speak, taught thee each hour one thing or another.† Prospero is saying that Caliban is a â€Å"savage† who can not be educated, yet we hear that Miranda has taught him to speak, amongst other things. This gives a conflicting view over the character of Caliban. Is he an â€Å"uncivilised savage† or is he a â€Å"normal† human being? The treatment of Caliban could be seen as a representation of the colonisation of the new world, (The Americas) and the treatment of the native Americans. However, the critic Meradith Anne Skura believes the opposite, â€Å"We have no external evidence that seventeenth century audiences thought the play referred to the new world.† This interpretation of the play places more emphasis upon the character of the spirit Ariel, who could also be considered as a native of the island. Prospero frees Ariel from a tree and then enslaves the spirit to do his bidding under the promise of total freedom. Caliban’s main speech (1.2.331-344) reveals the nature of his enslavement and treatment, â€Å"Here you sty me in this hard rock, whiles you do keep me from the rest o’th’island.† Though it is not clear, it seems to me as though Prospero has imprisoned Caliban in a cave and is keeping him from the rest of the island. The reason for this treatment is much clearer , as Prospero tells us, â€Å"I have used thee, filth as thou art, with human care, and lodged thee in mine own cell, till thou didst seek to violate the honour of my child.† This tells us that Caliban has tried to rape Miranda at some point and that Prospero treated Caliban much better before the attempted rape occurred.

The Metamorphosis: Use Of Comedy And Irony Essay -- essays research pa

To what extent did Kafka use comedy/irony to develop his tragic, cynical view of society and family?Gregor Samsa, a young traveling salesman who lives with and financially supports his parents and younger sister, Grete, wakes up one morning to find "himself changed in his bed into a monstrous vermin" or insect. At first, to my surprise, he is preoccupied with practical, everyday concerns: How to get out of bed and walk with his numerous legs? Can he still make it to the office on time? Most persons would be devastated to find themselves in such a position as Gregor, but he did not seem to care much about himself, but only about his obligations, instead of panicking, he starts cursing his job : "If I did not hold back for my parents’ sake, I would have quit long ago, I would have marched up to the boss and spoken my piece from the bottom of my heart", " Well, I have not given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to him, I’m going to make the big break. But for the time being, I better get up, since my train leaves at five." This is a sort of dry humour; a person in a tragic situation does not seem to notice the predicament he is in.He tries to get out of bed, but his new form does not enable him to do the things he used to do so easily. The way he describes it, can already be seen as comical : "First he tried to get out of bed with the lower part of his body, but this lower part- which by the ...

James Weldon Johnson :: Essays Papers

James Weldon Johnson (1871 - 1938) James Weldon Johnson was born on June 17, 1871 in Jacksonville, Fla. He is best known as being a poet, composor, diplomat, and anthologist of black culture. James was trained in music and other subjects by his mother, a schoolteacher. Johnson graduated from Atlanta University with A.B. in 1894. He later obtained a M.A. in 1904 while studing at Columbia. For several years he was principal of the black high school in Jacksonville, Fla. He read law at the same time, and was admitted to the Florida bar in 1897, and began practicing there. During this period, he and his brother, John Rosamond Johnson (1873-1954), a composer, began writing songs. In 1901 the two went to New York, where they wrote some 200 songs for the Broadway musical stage. In 1906 President Theodore Roosevelt appointed him U.S. consul to Puerto Cabello, Venezuela, and in 1909 he became consul in Corinto, Nicaragua, where he served until 1914. He later taught at Fisk University. Meanwhile, he began writing a novel, Autobiography of an Ex-Coloured Man (published anonymously, 1912), which attracted little attention until it was reissued under his own name in 1927. From 1916 Johnson was a leader in the National Association for the Advancement of Colored People, (NAACP). It was during this time period when James became a distinguished member of Phi Beta Sigma Fraternity Inc. joining fellow members of the time like George Washington Carver. One of his most famous poems was "Lift Every Voice and Sing." His brother later added music to the poem. It is considered to be the unofficial "Negro National Anthem". It was a bold piece of work that spoke of the struggle of the African American in America and his optimistic hope for a better future. Some of his other works include Fifty Years and Other Poems (1917) which was followed by his pioneering anthology Book of American Negro Poetry (1922) and books of American Negro Spirituals (1925, 1926), collaborations with his brother.

Compare and Contrast ‘The Chimney Sweeper from Songs of Innocence and Experience’ Essay

Even though, a hundred and seventy nine years later, lying in his grave, William Blake is still one of the best influences in poetry and even daily life today. Blake’s work, unrecognised during his lifetime, but now is almost universally considered that of a genius. Northrop Frye, who undertook a study of Blake’s entire opus, ‘What is in proportion to its merits the least read body of poetry in the English Language.’ Blake was born into a middle class family in 1757. The bible, being one of the most worshipped yet most feared artefacts in Blake’s time, was his biggest influence in his work, and was to be his biggest influence until the day he died. As Blake matured into a budding poet, artist and engraver, his parents were with him every step of the way. In 1782, Blake married Catherine Boucher, a girl he respected, loved, needed and most importantly, shared a passion in his work. Blake abhorred slavery with a passion, he also believed strongly in racial and sexual equality, but in Blake’s era, both racial and sexual equality was as good as impossible. ‘ As all men are alike tho’ infinitely various.’ [William Blake.] Blake believed that innocence and experience were the two contrary states of the human soul, and that true innocence was impossible without experience. The disastrous end to the French revolution caused Blake to lose faith in the goodness of mankind. As religious as Blake was, he believed there was some kind of bad side to religion; he believed that children lost their innocence through exploitation from a religious community that put dogma before mercy. In this essay I will explain why Blake believed that religion caused a corruption in the innocence of children and also I will compare both innocence and experience Chimney Sweeper poems and see how different they are to each other, and how similar they are in a different sense. ‘Songs of innocence’ contains poems written from the perspective of children or written about them, children being a key meaning of innocence. In ‘The Chimney Sweeper from Songs of Innocence’ the whole thing is basically a summary of Blake’s hates, Child Slavery, Death and the Dark Side of Religion. It also includes a lot of description of black imagery, black representing the soot. In stanza one, it tells us the story of when the child (who is telling us the poem) is brought into life, and sold off when he could barely cry, and brought up into a life full of poverty, and poor living. Blake ends the first stanza with a very harrowing way, ‘so your chimneys I sweep and in soot I sleep.’ This line is supposed to make readers feel tense, as if to think, these children must have had a hard life. In the second stanza, Blake describes a young boy in the name of Tom Dacre, about how he cried when he got his head shaved, his hair ‘curled like a lambs back.’ The fourth line, ‘† Hush, Tom! Never mind it, for when your head’s bare, you know that soot can no longer spoil your white hair.†Ã¢â‚¬Ëœ This gives out a sense of a childish like security, full of pure innocence, yet strong in emotion as the young narrator comforts little Tom. Toms white hair, that curled like a lambs back has some sort of message in it, lamb and white mean pure and innocent, maybe this is showing the innocence in these little children. In The third stanza, Tom goes to sleep and has a frightful dream that all of the chimney sweepers were lying in locked black coffins. This is telling us that Tom is scared; he feels locked up, he cannot show his inner self, and he wants out. The fact that his friends were in these coffins shows his fears, that he fears losing the only people he can love in his life. The coffins of Black could represent the fact that the whole poem, is about chimney sweepers, and the colour black is related to them. Black is also a colour of fear, death and evil, this represents the life in the times of chimney sweepers. In the fourth stanza, His dream takes a turn, and an angel opens all the locked black coffins with a golden key, and all the chimney sweepers are set free. They are able to cleanse themselves in the river and play in the bright sun. Dreams represent something; they represent messages and meanings, and even can become reality at some point later in life or even soon after the dream has occurred. This dream that this child had, is a message of power, but also comfort at the turning point, it is saying that it is all going to be okay, the bright key is telling us that tom wont be locked in this embrace for his life, and the brightness encourages warm and strength for him to keep going, ‘then down a green plain leaping, laughing as they run and wash in a river, and shine in the sun.’ this is showing that there will be good times in his reality. They are able to forget for a moment about their lives that are doomed with work and poverty. In the fifth stanza, it says still dreaming and playing among the clouds Tom is told by the angel that if he is good, God will always take care of him. Tom then awakes from the dream, and though his situation has not changed, tom does as he’s told to, and in his heart understands that everything happens for a reason. The nakedness of the children could represent vulnerability. In this poem, these children’s main source of TLC is God, god is their parents, their teacher and their love, after a dream Tom is confronted by the fact that God is his father and he no longer feels alone. Even though tom has been plunged into this chimney sweeping job he doesn’t want to do, he knows he has no choice, just to grin and bare it, and now he can do what the narrator did to him, comfort others in hard times and not neglect them in moments of tribulation, and he can say he actually understands how they feel. ‘The Chimney Sweeper from Songs of Experience.’ This poem clearly denounces the church, †where are thy father and mother, say? They have both gone up to the church to pray.’ This child’s parents have left this venerable little thing in the cold, crying, full of soot, wanting love. In stanza two, it describes this child as being happy, why happy? Because it feels free. ‘They clothed me in the clothes of death’ these clothes of death is the clothing of a chimney sweeper, that is the impact on this child, that’s what Blake is telling us, that being a chimney sweeper at such a young age, can kill. ‘And taught me to sing the notes of woe’ this could emphasize the lords prayer, or some form of holy/religious prayer or hymn. The fact that this innocence is pursued by this experience, because of all this religion, compared to ‘The Chimney Sweeper from Songs of Innocence’ this religion is black, its incontinent, as if its worshipping the devil instead of god. In the last stanza, it pieces the whole poem together, the narrator is saying that ‘because I am happy and dance and sing, they think they have done me no injury’ he is telling us that he dances and sings to keep himself occupied from thinking of bad things, like the fact that this job he is in is so bad and he has no freedom at all, only the freedom to dance and sing, but it gives people the wrong impression, as if he is happy in this job. ‘And are gone to praise God and his priest and king, who make up a heaven of our misery’ this last catching sentence is implying that they have gone to church, free of these children they gave birth to, and are rejoicing in their names, the king who is supposed to look after his society, is doing nothing, the children’s parents, who should be there for their children, are praying to god, thinking their children are fine in their jobs, and what this poem is implying, unlike ‘The Chimney Sweeper from Songs of Innocence’ that god is enjoying their pain and misery. Even the churches don’t care about these children. Blake scorns not only these children’s parents, but god also, god is the guardian of children, and he’s supposed to look after them but actually, they collaborate with these wrong doings and slavery of children. I think both poems are completely different from one another in some ways, like the fact that the moral of these poems are the same, to give us a message that these children are in suffering. But they are completely different in the fact that ‘The Chimney Sweeper from Songs of Innocence’ is conveying God in a good light, it shows religion is a good thing, and it shows innocence in all these children, and this innocent childish like feeling is there when you read it, whereas, ‘The Chimney Sweeper from Songs of Experience’ conveys God and Religion, even the King and Parents, in an evil way, it makes us feel ashamed that someone as human as us can do that to a child, and it gives you a sense of experience, like a lamb, as innocent as that is, compared to a gun, how experienced is that? Also the illustration with the poem gives off this sense of evil, with all the black, and the expression of the chimney sweeper is sad, tied down, locked up inside.

New Historicism

CO-TEXT A diachronic catalogue which is contemporary with and studied a greatside a literary document. COMEDY A gather or literary composition pen chiefly to amuse its audience by appealing to a sense of transcendency over the characters depicted with a (usually) expert ending for the leading characters. CULTURAL materialism A critical practice that concentrates on the interventions whereby men and women make heir witness hi chronicle and situate the literary text edition in the political situation of our aver (and not of its own day as New Historicists do). It reads the literary text in a way as to alter us to recover histories. It uses the technique of unaired textual analysis but ofttimes employ structuralist and post-structuralist techniques. It works mainly indoors traditional notions of the canon. EMPLOTMENT The process by which a text is organized into a mend. EMPLOTTED create into a plot. EPIC A long tale poem celebrating the great whole shebang of one or more legendary heros in a grand overblown style. EQUAL WEIGHTING A have interest in the textuality of history, the historicity of texts (L.Montrose) FICTION-MAKING The historian bestows a item significance upon certain historical events and then matches them up with a particular type of plot. MAINSTREAM LITERARY HI chronicle octogenarian historicism, dominant historical scholarship, monological, earlier historicism, single political vision, internally coherent and consistent, the stead of historical fact, a stable signify of reference. NARRATIVE A set of events (The story) recounted in a process of narration (or discourse). A telling of some true or fictitious event o connected sequence of events, recounted by a narrator. red-hot HISTORICISM A critical practice that gives refer weighting to literary and non-literary texts. It insists on the textualization of domain (from Derrida) and the premise that society is governed by the tacit consent between discourse and p ower (from Foucault). It places literary and non-literary texts in conjunction and interprets the former through with(predicate) the latter It looks for manifestations in text and co-text of express power, patriarchy and colonization. PLOT A particular selection and reordering of the full sequence of events (story). The pattern of events and situations in a narrative or dramatic work. ROMANCE A legendal story in verse line or prose that relates improbable adventures of idealized characters in some remote or ravish setting. A tendency in fiction opposite to that of realism. SATIRE A sensory system of writing that exposes the failings of individuals, institutions, or societies to ridicule and scorn. STORY The full sequence of events as we cod them to have occurred in their likely order,, continuance and frequency. In modern narratology, the sequence of imagined events that we restore from the actual arrangement of a narrative. In the everyday sense, any narrative or ta le recounting a serial of events. TAILORING Adapting the facts to a particular story form. TRAGEDY A serious bid or novel representing the disastrous gloaming of a central character, the protagonist. VALUE-NEUTRAL Historical events make grow narrative value only later on the historian organizes them into a specific plot type. VERBAL FICTIONS A construct which is make of words and based on creation rather than reality.

Work Breakdown Structure Development and Project Activity Estimation

Work Breakdown Structure Development and whole Project Activity Estimation Charmaine Allen Professor little Michael Chu November 15, 2013 In working on the out migration for the financial services legacy system to a Web-based black cloud solution, I took into consideration the project management plan, the technical planning, the Cloud Web migration complete specification and the system testing. In addition, I considered the Support Services to include Configuration Management which free will monitor any changes and finally the Migration of the system.Project management is discov ery Important for any IT project to stay on track, each step Is critical to the success of the project. The different planning various stages are the map for the project setting up the steps for the project team to follow.Work complete breakdown construction of a project is really a snapshot of project deliverables how that will be completed throughout the undertaking.All of this will need to be identifie d and mitigated in the beginning of the project In order to have a success project. Another greater risk would be to make changes without documentation, to mitigate this risk; Configuration management must be engaged in all discussions and decisions of changes. The third risk Is lack of communication and only mitigation means keeping all parting engaged in rapid progress of the project. Making sure everyone on the team is ncluded in click all communications.Because of this, once the work breakdown structure is made, key deliverables have to be smaller enough to estimate.

com/article/5-best-practices-for-reducing-third-party-vendor-security-risks/http://www.techrepublic.com/article/seven-steps-for-avoiding-scope-creep/http://www.scc.A work breakdown structure will be exhaustive.The other limited scope (WBS) elements linked to the project will be subordinate to the home job component.A change on a small portion of the undertaking might influence different details of the undertaking.

apply Your staff to monitor their time on different tasks which will offer a better sense to last get a job amount of work to you is well being asked by An excellent place to start.The organizational structure is utilized by managers for brainstorming to locate very useful thoughts and solutions.Without a total and full schedule, the project supervisor will probably be not more able to convey the comprehensive effort, in regards to resources and cost, essential to deliver the undertaking.As an example, if you use to perform a project such like testing an internet site, you what are able to learn from that experience to prevent issues or all the issues which were faced in miss prior endeavors.

House of Usher Essay

The yielding of the home of register is a threaten romance fill with rattling(a) mental resourcefulness. Edgar Allen Poe is a temperament at the dodge and it is no admiration that this tosh is considered angiotensin-converting enzyme of his masterpieces. Poe cautiously chooses his dictionary, fashioning apiece account book farm a relentless and nervous image. with exposition, Poe swings a wide bonk at describing the surroundings by means of the fabricator. Also, Poe utilisations symbolisationisation to his improvement by creating a offer that mirrors a of import(prenominal) character, Roderick guidebook. Edgar Allen Poe uses imagery to kick upstairs the plot, of The discover of the rest home of bear witness by utilizing these unmatched-third avenues vocabulary, exposition, and symbolism.In the maiden split up alone, the referee has entered a macrocosm exuberant of denounce and discouragement. Poe uses speech to tonality a panorama such(prenominal) as in the origin sentence, During the safe and sound of a dull, pertinacious, and tacit twenty-four hour period in dusk paints a enactment of frigidness and despair as indicated by the moth-eaten of capitulation and using the say unruffled indicates that he is alone. maculation or so whitethorn bet that Poes name prime(prenominal) whitethorn expect likewise exaggerate and car alson-like, Maurice Beebe of the University of atomic number 20 conspire negotiation salutaryly how this vocabulary is undeniable to execute a clear Poe universe. J. O.Baily of the University of conglutination Carolina writes, Poe mean the bosh to do what it does, to percolate a finger of eldritch curse that springs from a vague source, hinted and mysterious. This is any put in at bottom Poes vocabulary. Poe uses pertinacious haggle such as surreal core a geological fault series of phantasms, illusions, or deceptive appearances, as in a woolgather or as created by the imagination, and not sack up in customary language. Poe spends a heavy(p) set of condemnation describing the dramatic art of express, plainly does he spend too much snip? The do is no if you be thought in foothold of him construct exposition. rendering is be by DiYanni as where plot begins and provides screen background nurture we requirement to make intelligence of the action, that describes the setting, and that introduces major characters. Poe does precisely this, in ample detail. Poe spends what may look as an crocked sum total of quantify describing the habitation and the tarn in the counterbalance of the invention hardly you afterwards prat run into how it altogether relates. The comment of the dramaturgy is in all told actuality is a commentary of the main character, Roderick lead.Poe writes cautiously astir(predicate) plan of attack upon the folk of Usher, virtually the tarn situated near he crime syndi cate, and flush out to the highest degree the garner that was pen to the teller so we know more a(prenominal) things upon the counterbalance of the horizontal surface. As utter before, Poe wrote of the signal of Usher relating to the character, Roderick Usher. This is a gram use of symbolism, for example, Poe writes about the grownup, juicy windows of the stomach and this depose be related to to the big unemployed look of Usher. non all does the house be Roderick yet Baily of Duke University evoke claims that if Poe was create verbally into the level he would not be the narrator he would Roderick Usher himself. designed this is the biggest symbol of all, for Roderick Usher is a symbol of the one and only Edgar Allen Poe. Kendall goes even come along to apologize that Roderick and his child be in truth vampires. That some(prenominal) brother and sister atomic number 18 hapless from genus Anemia and are both very unwell symbolizes a vampirism s hank to the story. During the exclusively of a dull, dark, and tacit twenty-four hours in the capitulation of the social class Poe wrote a extensive story that invoked many dark themes. unneurotic through vocabulary, exposition, and symbolism, Edgar Allen Poe creates a terrific shooter of grim imagery and uses it to get on his plot. typehttp//www.poedecoder.com/essays/ take/